In The Middle (Barbara Crooker)
of a life that's as complicated as everyone else's,
struggling for balance, juggling time.
The mantle clock that was my grandfather's
has stopped at 9:20; we haven't had time
to get it repaired. The brass pendulum is still,
the chimes don't ring. One day you look out the window,
green summer, the next, and the leaves have already fallen,
and a grey sky lowers the horizon. Our children almost grown,
our parents gone, it happened so fast. Each day, we must learn
again how to love, between morning's quick coffee
and evening's slow return. Steam from a pot of soup rises,
mixing with the yeasty smell of baking bread. Our bodies
twine, and the big black dog pushes his great head between;
his tail is a metronome, 3/4 time. We'll never get there,
Time is always ahead of us, running down the beach, urging
us on faster, faster, but sometimes we take off our watches,
sometimes we lie in the hammock, caught between the mesh
of rope and the net of stars, suspended, tangled up
in love, running out of time.
struggling for balance, juggling time.
The mantle clock that was my grandfather's
has stopped at 9:20; we haven't had time
to get it repaired. The brass pendulum is still,
the chimes don't ring. One day you look out the window,
green summer, the next, and the leaves have already fallen,
and a grey sky lowers the horizon. Our children almost grown,
our parents gone, it happened so fast. Each day, we must learn
again how to love, between morning's quick coffee
and evening's slow return. Steam from a pot of soup rises,
mixing with the yeasty smell of baking bread. Our bodies
twine, and the big black dog pushes his great head between;
his tail is a metronome, 3/4 time. We'll never get there,
Time is always ahead of us, running down the beach, urging
us on faster, faster, but sometimes we take off our watches,
sometimes we lie in the hammock, caught between the mesh
of rope and the net of stars, suspended, tangled up
in love, running out of time.
That Silent Evening (Galway Kinnell)
I will go back to that silent evening
when we lay together and talked in low, silent voices,
while outside slow lumps of soft snow
fell, hushing as they got near the ground,
with a fire in the room, in which centuries
of tree went up in continuous ghost-giving-up,
without a crackle, into morning light.
Not until what hastens went slower did we sleep.
When we got home we turned and looked back
at our tracks twining out of the woods,
where the branches we brushed against let fall
puffs of sparkling snow, quickly, in silence,
like stolen kisses, and where the scritch scritch scritch
among the trees, which is the sound that dies
inside the sparks from the wedge when the sledge
hits it off center telling everything inside
it is fire, jumped to a black branch, puffed up
but without arms and so to our eyes lonesome,
and yet also - how could we know this? - happy!
in shape of chickadee. Lying still in snow,
not iron-willed, like railroad tracks, willing
not to meet until heaven, but here and there
making slubby kissing stops in the field,
our tracks wobble across the snow their long scratch.
Everything that happens here is really little more,
if even that, than a scratch, too. Words, in our mouths,
are almost ready, already, to bandage the one
whom the scritch scritch scritch, meaning if how when
we might lose each other, scratches scratches scratches
from this moment to that. Then I will go back
to that silent evening, when the past just managed
to overlap the future, if only by a trace,
and the light doubles and shines
through the dark the sparkling that heavens the earth.
when we lay together and talked in low, silent voices,
while outside slow lumps of soft snow
fell, hushing as they got near the ground,
with a fire in the room, in which centuries
of tree went up in continuous ghost-giving-up,
without a crackle, into morning light.
Not until what hastens went slower did we sleep.
When we got home we turned and looked back
at our tracks twining out of the woods,
where the branches we brushed against let fall
puffs of sparkling snow, quickly, in silence,
like stolen kisses, and where the scritch scritch scritch
among the trees, which is the sound that dies
inside the sparks from the wedge when the sledge
hits it off center telling everything inside
it is fire, jumped to a black branch, puffed up
but without arms and so to our eyes lonesome,
and yet also - how could we know this? - happy!
in shape of chickadee. Lying still in snow,
not iron-willed, like railroad tracks, willing
not to meet until heaven, but here and there
making slubby kissing stops in the field,
our tracks wobble across the snow their long scratch.
Everything that happens here is really little more,
if even that, than a scratch, too. Words, in our mouths,
are almost ready, already, to bandage the one
whom the scritch scritch scritch, meaning if how when
we might lose each other, scratches scratches scratches
from this moment to that. Then I will go back
to that silent evening, when the past just managed
to overlap the future, if only by a trace,
and the light doubles and shines
through the dark the sparkling that heavens the earth.
Dawn Revisited (Rita Dove)
Imagine you wake up
with a second chance: The blue jay
hawks his pretty wares
and the oak still stands, spreading
glorious shade. If you don't look back,
the future never happens.
How good to rise in sunlight,
in the prodigal smell of biscuits--
eggs and sausage on the grill.
The whole sky is yours
to write on, blown open
to a blank page. Come on,
shake a leg! You'll never know
who's down there, frying those eggs,
if you don't get up and see.
with a second chance: The blue jay
hawks his pretty wares
and the oak still stands, spreading
glorious shade. If you don't look back,
the future never happens.
How good to rise in sunlight,
in the prodigal smell of biscuits--
eggs and sausage on the grill.
The whole sky is yours
to write on, blown open
to a blank page. Come on,
shake a leg! You'll never know
who's down there, frying those eggs,
if you don't get up and see.
No comments:
Post a Comment